lomovolga

Renaissance & Baroque Jewellery

These enamelled, chased and pierced things were made in Spain, Germany and France by Erasmus Hornick, Daniel Mignot and Michel Le Blon between 1400 and 1898.

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Spanish
Lamb of God (Agnus Dei)
  1600–1650 • pendant

Spanish
Virgin and Child
   1525–75 • pendant

Anonymous European Jeweler
Pendant - Mermaid
19th century imitating 16th century
enameled gold, emerald, pearl
British Museum

Anonymous European Jeweler
Pendant - Monstrous Fish
19th century imitating 16th century
enameled gold, emerald, ruby, garnet, amethyst, pearl
British Museum

South America ?
Spain
Spain or South America (?)
Ram amulet
   1500–1600 • pendant

Anonymous Hungarian Jeweler
Pendant - Hawk
19th century imitating 16th century
enameled gold, ruby, diamond, pearl
British Museum

Hungary ? France ? Paris or London
Pendant with hawking party
1825–57 • Enamelled gold • pendant
Very similar to a fake jewel from the collection of Charles Sauvageot, a customs official and a violinist in the orchestra in the Opéra Comique in Paris. Sauvageot made a significant collection of Renaissance works of art, which he gave to the Louvre in 1856. Baron Ferdinand admired him as a collector.

Mexico (?)
Pendant
1591 • Enamelled gold, rock crystal • pendant reliquary
British Museum

Mexican or Spanish
Pendant
1550–1600 • Enamelled gold, rock crystal • pendant reliquary
British Museum

Italian or German
Toothpick
1550–1600 • Enamelled gem-set gold, ‘baroque’ pearl • pendant tooth-pick
Constructed around a ‘baroque’ pearl, this pick resembles a design published in 1562 by Erasmus Hornick in Nuremberg. Toothpicks were luxury items. This one may be a clever fake from the 19th century.
© The British Museum

Probably Vienna
Medal pendant
1612 • medallion pendant
In the centre is a gold medal of Maximilian III (1557–1618) Archduke of Austria.

German
Medal pendant
  1603–27 • Enamelled gold, pearls • medallion pendant
The medal shows Maurice, Landgrave of Hesse- Kassel in the Holy Roman Empire, with his second wife, Juliana. They married in 1603. Known as ‘Maurice the Learned’ he was a great art patron. His court art collection, or Kunstkammer, was a model for the Rothschilds in the 19th century.

German, Berlin
Medal pendant
1608–19 • Enamelled gold, pearls • medallion pendant
In the centre is Johann Sigismund, elector of Brandenburg (1572–1619). From 1615 he allowed both Lutheran and Calvinist worship in Brandenburg.

Anonymous French Jeweler
Pendant - Couchant Hind
19th century imitating 16th century
enameled gold, ruby, pearl
British Museum

German or Netherlandish
Hat jewel
1600–1650 • Enamelled gold, precious gems • aigrette hat-ornament
A military trophy worn on the hat as seen in portraits of the early 1600s
British Museum

Luigi and Raffaele Angelo Marchi of Bologna
Pendant - imitating painted pendant in
Raphael's altarpiece of St Cecilia
ca. 1898-1902
enameled gold, chalcedony, pearl
British Museum

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BAROQUE PEARL

Серия сообщени?"Коллекци?музеев мира \3\ ":
Част?1 - Музе?Изабеллы Стюарт Гардне? Бостон, СШ?(Isabella Stewart Gardner Museum, Boston, USA) - Старые Мастер?портрета \1\
Част?2 - Музе?Изабеллы Стюарт Гардне? Бостон, СШ?(Isabella Stewart Gardner Museum, Boston, USA) - Старые Мастер?портрета \2\
...
Част?9 - Ювелирны?украшения ?собрании лондонског?музея Виктории ?Альберта (Victoria and Albert Museum) \2\
Част?10 - "Барочный жемчуг" Ренессанса ?собрании Британског?Музея (British Museum, London) \5\
Част?11 - "Барочный жемчуг" Ренессанса ?собрании Британског?Музея (British Museum, London) \6\